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Mona Thomson joined the Art Circle in 1976,
was appointed to the committee in 1981 and was chairman
for 18 years, from 1983 to 2001. She writes:
"During my chairmanship
I experienced many changes. In 1983, Sir George
Robinson was President. When he died in 1985,
Jack Denny - then vice president -
took over, followed by Richard Parsons,
Richard Scott and then Jack
Stephenson. They all brought with them their
professional skills and their contributions have played
a very important part in the development of the Art
Circle.
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Following
the death of Sir George Robinson, we
received, in 1987, a gift of £500 from
Lady Robinson and also, in the same year, £500
from Mr Alan Turner in memory of his
wife Prudence. These gifts were originally
intended to fund new awards for the summer exhibition.
But, as we already had three, it was decided to put
the money into a special account in the Bank and divide
the interest among the winners of the existing awards.
At
the time interest rates were high but, since their fall,
the cash prizes have been maintained at the same level
by supplementing the income with money from the general
account.
Victor Stanyon was Treasurer from 1967-89
and established a very well structured administration
most of which is in use today. Since then there have
been a number of Treasurers – Denis Cauldicot,
Rose Worms, John Garrood,
Alan Walpole and David Weight.
Kath Jenkins was secretary during these
years followed by Daphne Cauldrey,
Rose Worms, Elizabeth White
and Jean Dean-Corke.
When I joined the Art Circle in 1976 exhibitions were
held in the Conservative Hall. It was the only art exhibition
in the area and, on the opening day, there were queues
reaching from the hall down Woodley’s Yard to
the High Street. At that time pictures had to be hung
from a rail some 10ft high.
In 1985 one of our members, Ronnie Rutherford,
a retired architect and very able painter, designed
the screens for hanging the pictures. These were made
by Eddie Mower and assembled for each
exhibition. Southwold-based international furniture
removers, Blyth Hasel, generously stored the screens
for us without charge. They also undertook to deliver
(for a small charge) pictures sold to those living away
from the Southwold area. |
A
year after joining the Circle, Mona exhibited the pastel
above - 'Bottles with Shapes'- at the Summer Exhibition
1977.
Below: 'The Lighthouse', a Mona Thomson silkscreen
print which won theChristina Whitehead award for media
other than oils in the Summer Exhibition of 1985. |
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When
the exhibitions moved to Eversley gym in 1991, we used
the same screens with a few additions. The Gym was so
much larger and lighter, and members were delighted
with the move. |
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| During
the 1986 Summer Exhibition, the disappearance of the 30
ft banner from its traditional place above the market
square was the talk of the town. It reappeared a fortnight
later, neatly rolled up on a bench on the Common. The
incident remains an unsolved mystery! |
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At
that time we mounted exhibitions at Easter and in the
Summer. However, we experienced some very cold Easters
which deterred visitors and caused discomfort to invigilators.
When we later transferred this exhibition to Buckenham
House, we decided to reschedule it to the autumn. Buckenham
House proved so popular that members wanted the summer
exhibition there as well. An Extraordinary General meeting
was held to canvas members' views and there was an overwhelming
vote (including a postal vote) for the move. This new
arrangement lasted only 2 years as we were no longer
able to rent the Gallery space. We moved back to Eversley
Gym in 1999 where our exhibitions are still held.
The monthly meetings are still following the same format
as before but have recently tended to become more academic.
They are very well attended by members and also attract
a number of visitors. |
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| The
1988 Summer Exhibition Catalogue was the first to sport
the Art Circle logo, designed by Robert Strand and still
in use today. |
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The
life group was started in 1984 by Ann Ainscough
who said “no art group
should be without one”. She organised it very successfully
for 12 years. Since then group leaders have included Ann
Paton, Jack Stephenson, Moyra
Byford and Bill Ungless. Early classes
were held at the Guide Hut but, as numbers increased, more
convenient venues were used. The group meets weekly for 2
or 3 terms a year.
I held
the first workshop on screenprinting in 1988 and later one
on linocutting. Other members who organised workshops were:
Sylvia Dillon Gibbons who held a series on
collage, Alice Welsh several on Chinese painting
and, for a number of years, from 1991 Mary-Ann Parke,
a teacher at Beccles middle school, tutored workshops on monoprinting.
Sometimes,
artists giving talks at the monthly Friday meetings followed
them with workshops on the Saturday. Among them were: Robin
Stemp on watercolour, a journalist and watercolour
painter, Jane Evans on Chinese brush painting,
author of books on the subject and Ken Cuthbert,
artist, on oil painting. Gradually other subjects have been
introduced and they are now held monthly during the winter.
During
the summer, over a period of time, untutored outdoor painting
sessions were arranged.
For a
number of years, visits have been arranged to art exhibitions
not only in London but also in Cambridge and elsewhere.
Today
the Art Circle remains very active with a video library and
a web site."
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